The California
Dial.
Two scripts, one dial — the most personal thing I know how to say.
Eastern + Western Arabic
I am an Arab living in California, and I wanted a watch face that could hold both of those things at once. That is where the whole brand started — with this dial.
So I drew it as a California layout, carrying two sets of numerals together.
Eastern Arabic and Western Arabic, side by side. It was not a stylistic experiment. It was simply the most honest thing I knew how to put on a watch.
The dial follows a three-subdial layout, and the 24-hour subdial is the one part that looks back to vintage Omega chronographs
the older, flight-ready references, not the modern reissues. I loved how those balanced clarity, mechanical purpose, and restraint, so I reworked that 24 hour subdial proportions toward something cleaner and more refined like an instrument
Then the numerals told me what to do.
In both scripts, 1 and 11 are nearly identical and build no real structure; 5 reads too close to 0; 7 breaks the rhythm of the dial.
So I removed 1, 5, 7, and 11 — partly for legibility, so nothing gets misread, and partly for proportion, to keep the top and bottom from crowding. Functional typography, not decoration.
Everything else on the watch was built around this face.
The dial is not a styling choice; it is the whole idea — a small, exact statement of where I am from.
“The dial isn’t a styling choice. It’s the whole idea.” On the California dial